Here is your chance to meet with a literary manager at Circle of Confusion. Daniela Garcia-Brcek will talk through with you the process of obtaining representation, what to expect from that relationship and how to create a solid foundation for a career in writing for film and television.
Daniela Garcia-Brcek is a literary manager at Circle of Confusion, a feature film & television production and management company with offices in New York and Los Angeles. Daniela identifies as a TCI – a third culture individual: Venezuelan-born, with a childhood in South East Asia, Daniela’s found her roots in the United States. Her international background informs her taste as she builds her roster of clients who have unique voices and backgrounds. Daniela holds a BA in Film Production with a minor in Film Producing from New York University.
Circle of Confusion is a feature film & television production and management company with offices in New York and Los Angeles. Originally founded in 1990 as a New York-based boutique literary management company, Circle expanded into production in 2002 while simultaneously opening a West Coast office. In July 2012, Circle again broadened their scope to include talent management, cementing their reputation as a premiere destination for exceptional writers, directors, actors, content creators, publishers, and journalists. Circle’s clients have their fingerprints all over the modern zeitgeist: In the hit feature films John Wick, Still Alice, The Grand Budapest Hotel, The Fault In Our Stars, Annabelle, Insurgent, and the highly anticipated sequels Ride Along 2 and the third installment of the Star Trek reboot.
On television, Circle’s clients are writing, directing, starring in, and producing some of the biggest shows on the air including The Walking Dead, Gotham, House of Cards, The Goldbergs, Rizzoli & Isles, NCIS: New Orleans, Hannibal, The Flash, Dominion, The Fosters, and many more.
In the comics and publishing worlds with the Robert Kirkman and Skybound libraries (The Walking Dead, Invincible, Thief of Thieves), Marvel/Icon’s game-changing writer Brian Bendis (Powers, Scarlet, Brilliant), IDW’s vast comics library (Locke & Key, 30 Days of Night), the amazing true-life tales of Epic Magazine (Spare Parts, Deep Sea Cowboys); and in just about every other facet of the entertainment industry including on Broadway and theatre around the country, in periodicals such as Wired, GQ, Esquire, The New York Times Magazine, Vanity Fair, and Men’s Journal, and across the gaming universe, the blogosphere, and the world wide web.
The company is built to self-generate (either through its own library or elsewhere) high concept ideas and then develop and package the material to ensure success at the studio level. Whether it is breaking new talent or developing projects, Circle works to bridge the gap between the fringes of pop culture and the Hollywood mainstream.