Don't miss out on the chance to see
Carmen at the World-famous
New York Metropolitan Opera and meet opera's newest villian,
John Relyea Backstage!
Carmen is a French opéra comique by Georges Bizet. The story is set in Seville, Spain, circa 1830, and concerns the eponymous Carmen, a beautiful Gypsy with a fiery temper. Free with her love, she woos the corporal Don José, an inexperienced soldier. Their relationship leads to his rejection of his former love, mutiny against his superior, and joining a gang of smugglers. His jealousy when she turns from him to the bullfighter Escamillo leads him to murder Carmen.
The Met’s thrilling new production returns with Elina Garanca, Brandon Jovanovich, Nicole Cabell and John Relyea.
Tickets are located in the orchestra section, row U, seats 6,8.
John Relyea continues to distinguish himself as one of today's finest bass-baritones.
Mr. Relyea has appeared in many of the world’s most celebrated opera houses including the Metropolitan Opera, San Francisco Opera (where he is an alumnus of the Merola Opera Program and a former Adler Fellow), Lyric Opera of Chicago, Seattle Opera, Royal Opera House Covent Garden, Paris Opera, Bayerische Staatsoper, Vienna State Opera, and the Marinksy Theater. His roles include the title roles in
Le Nozze di Figaro, Bluebeard’s Castle and
Aleko; Méphistophélès in both
Faust and
La Damnation de Faust, the Four Villains in
Les Contes d’Hoffman, Raimondo in Lucia di Lammermoor, Giorgio in
I Puritani, Escamillo in
Carmen, Don Basilio in
Il barbiere di Siviglia, Alidoro in
La Cenerentola, Nick Shadow in
The Rake’s Progress, Colline in
La Bohème, Marke in
Tristan und Isolde, Caspar in
Der Freischutz, Banquo in
Macbeth, Collatinus in
The Rape of Lucretia and Garibaldo in
Rodelinda.
Mr. Relyea also remains in high demand throughout the concert world where he appears regularly with orchestras such as the Philadelphia Orchestra, Boston Symphony Orchestra, New York Philharmonic, Pittsburgh Symphony, Cleveland Orchestra, Minnesota Orchestra, Atlanta Symphony Orchestra, Montreal Symphony, Swedish Radio Symphony Orchestra, Scottish Chamber Orchestra, the Philharmonia Orchestra, and the Berlin Philharmonic. He has also appeared at the Tanglewood, Ravinia, Blossom, Vail, Lanaudiere, Salzburg, Edinburgh, Lucerne and Mostly Mozart Festivals, and in the BBC Proms. In recital, he has been presented at Weill Hall and the Metropolitan Museum of Art in New York City, the Wigmore Hall in London, the University Musical Society in Ann Arbor, and the University of Chicago Presents series.
The many conductors with whom Mr. Relyea has worked with include Harry Bicket, Pierre Boulez, Sir Colin Davis, Christoph von Dohnanyi, Gustavo Dudamel, Christoph Eschenbach, Valery Gergiev, Bernard Haitink, Mariss Jansons, James Levine, Lorin Maazel, Sir Charles Mackerras, Sir Neville Marriner, Zubin Mehta, Kent Nagano, Sir Roger Norrington, Seiji Ozawa, Antonio Pappano, Sir Simon Rattle, Donald Runnicles, Esa-Pekka Salonen, Robert Spano, Wolfgang Sawallisch, and Ilan Volkov.
Mr. Relyea’s most recent recording of the Verdi Requiem was released on the LSO Live label in September 2009. Other recordings include
Idomeneo with Sir Charles Mackerras and the Scottish Chamber Orchestra (EMI), Mahler’s Symphony No. 8 with Sir Simon Rattle and the City of Birmingham Symphony Orchestra (EMI), and the Metropolitan Opera’s DVD presentations of
Don Giovanni, I Puritani and
Die Meistersinger von Nüremberg (Deutche Grammophon), and Macbeth (Metropolitan Opera HD Live Series).
This season Mr. Relyea returns to the Metropolitan Opera as Escamillo, the Seattle Opera as the title role in
Don Quixote, and the Bayerische Staatsoper as Don Alfonso in Lucrezia Borgia. He also makes appearances with the National Symphony Orchestra, Toronto Symphony, and the NDR Symphony.
Mr. Relyea is the winner of the 2009 Beverly Sills Award and the 2003 Richard Tucker award.
Please see
The Metropolitian Opera John Relyea for further information.